Emo is, in fact, probably the most emotional of genres. From big-hitters akin to My Chemical Romance to modern proponents of the sound akin to Ice 9 Kills, emo bands have at all times carried out music characterised by emotive angst and lyrical openness.
However in the case of their music, the criticism from die laborious rock and metallic lovers is that issues get too sappy, with not sufficient crunch current within the devices to stability out the poetic despair. Typically, that could be the case, however so can also emo bands go laborious, and draw affect from a few of metallic’s largest and heaviest acts.
READ MORE: 25 Superb Pop-Punk + Emo Albums With No Weak Songs
Right here, in celebration of emo’s connection to the heavier facet of rock and metallic, we’ve picked 10 Emo Songs That Are Truly Actually Heavy so that you can get pleasure from….
My Chemical Romance, “Our Lady of Sorrows”
Earlier than taking on the world because the flag bearers for mid-2000s emo, My Chemical Romance’s early years had been characterised extra closely by the band’s metallic influences. Working example: “Our Lady of Sorrows,” taken from debut LP I Introduced You My Bullets, You Introduced Me Your Love, finds the four-piece at their scrappiest and most uncooked. The vocals of Gerard Method specifically are up there with a few of the most gnarly the MCR frontman has put his title to, his demonic screams bringing “Our Lady of Sorrows” to a harrowing conclusion.
Escape the Destiny, “The Guillotine”
The primary in a collection of Escape the Destiny songs titled “The Guillotine” (there’s 4 in whole, the final of which was carried out by ex-frontman Ronnie Radke’s new outfit Falling in Reverse), this lower from much-loved 2006 LP Dying is Your Newest Vogue is crammed with the type of riffs and breakdowns extra typically related to metalcore than the emo scene.
These metallic moments oscillate all through with Escape the Destiny’s extra melodic qualities, as Radke jumps between saccharine singing and rugged growls, whereas the guitars of Monte Cash and Omar Espinosa ship some spectacular shredding.
The Used, “Sound Effects and Overdramatics”
The album to which “Sound Effects and Overdramatics” belongs — 2004’s In Love and Loss of life — options a few of the Used’s most melodic moments, however throughout the band’s catalog, there aren’t many tracks that match this one at its heaviest.
Vocalist Bert McCracken’s phrases are strained and tortured all through, whereas the breakdown that precedes the track’s climax is a pleasant dose of heavy-hitting emo.
Followers of the Used at their heaviest are nicely suggested to take a look at 2009 LP Paintings, which finds the four-piece going at it with a chaotic and significantly heavy angle.
Enter Shikari, “Sorry You’re Not a Winner”
Brit heroes Enter Shikari’s sound has regularly developed all through their profession, and the four-piece has garnered a fame as one in all trendy rock’s most modern bands. They obtained their begin very a lot within the emo scene, although, and early fan-favorite “Sorry You’re Not a Winner” stays a scene child traditional to at the present time.
Combining the band’s love of electronica with extra conventional screamo fare, it’s a novel observe whose affect continues to be felt nearly 20 years on from its launch.
Underoath, “Everyone Looks So Good From Here”
“Everyone Looks So Good From Here” encompasses a terrific vocal efficiency from Underoath frontman Spencer Chamberlain, who places in the most effective examples of screaming to return out of the mid-2000s emo increase.
The breakdown, in the meantime, goes laborious, because the band brings in some doom metallic overtones to drive issues to a thunderous conclusion.
The Blackout, “I’m a Riot? You’re a Fucking Riot!”
British rock outfit the Blackout break up again in 2015, however of their 12 years as a band, the sextet introduced loads of emo choices to the desk that lay on the heavier finish of the style’s sound.
Early lower “I’m a Riot? You’re a Fucking Riot!” is a positive instance of the love of all issues heavy that lay on the coronary heart of the band’s sound, as screamer Sean Smith’s cries commerce off with the groovy riffs of guitarists Matthew and Bob Davies. Those that like what they hear will likely be happy to know Smith and Bob Davies are nonetheless making music with new band Raiders, who dropped their newest observe “Animal” towards the tip of 2021.
Ice 9 Kills, “Assault & Batteries”
One of the vital barnstorming acts in modern emo, Ice 9 Kills produced a few of their finest ever materials on their LP Welcome to Horrorwood: The Silver Scream 2, which dropped in late 2021.
Spencer Charnas and co.’s grasp on emo’s heavier qualities is finest demonstrated by “Assault & Batteries,” which incorporates each the dramatic qualities related to scene classics akin to My Chem’s The Black Parade, but additionally the chugging guitars and hell-raising growls which can be firmly the property of heavy metallic.
There’s no-one on the market doing issues fairly like Ice 9 Kills proper now.
Bullet For My Valentine, “Tears Don’t Fall”
Some would possibly argue “Tears Don’t Fall” is extra of a metallic observe than an it’s an emo one, and whereas it in all probability sits someplace in between the 2, there’s no denying Bullet For My Valentine’s early hit incorporates most of the hallmarks of any good emo track — emotional heft, impassioned supply and that indescribable high quality that hits you proper within the feels.
Paired with that emotive weight, although, is a big serving to of metallic thunder, courtesy of Matt Tuck and Michael Paget’s guitars, and the meteoric drumming of Michael Thomas.
Pierce The Veil, “Dive In”
The fashionable period of Pierce the Veil has seen the band lean extra towards the melodic facet of their sound, and that’s one thing you may hear on “Dive In,” and the album to which it belongs, 2016’s Misadventures. However regardless of well-liked tracks akin to “Circles” showcasing the band’s potential to be a radio-rock-bothering proposition, “Dive In” demonstrates that they haven’t forgotten the heavier facet of their roots.
The principle serving to of heaviness right here comes by means of the breakdown, the place chugging guitars and an in-your-face solo drive issues residence with loads of energy.
From First to Final, “Ride The Wings of Pestilence”
Echoing the bloody, graphic fashion of emo made well-liked by MCR and the Used, From First to Final had been one other brilliant hope for emo to emerge within the mid-2000s, with traditional LP Expensive Diary, My Teen Angst Has a Bodycount that includes some significantly heavy moments.
“Ride The Wings of Pestilence” is the choose of the bunch in that regard, and there are moments of significant crunch all through its 3-and-a-half minutes. Like all the very best heavy emo songs, the breakdown goes laborious, as vocalist Sonny Moore screams the titular lyrics earlier than proceedings come to an abrupt, chilling finish.